50mmF2

Somewhat Analog Things About Photography

On The Love For Pushing Ilford HP5 Plus

This writing is a short Thank You to Ilford for making HP5 Plus film.

Photo of Ilford HP5 Plus in 120 format.

Photo of Ilford HP5 Plus in 120 format.

Ilford HP5 Plus is my go-to black and white film stock but this relationship wasn't forged in an instant. I had used HP5+ here and there but wasn't too impressed with the results. They were quite bland and...gray. Contrast was low. Then, one day, I found a good deal on an expired 30 meter roll of HP5+ and went for it. It expired in 2007 so wasn't too old. The seller didn't mention how it was kept but after testing it was clear that it hadn't deteriorated much. You could shoot it at box speed but ideally third or half a stop of extra exposure would be provided. With this long roll I was allowed some experimental freedom which I used.

Initial results were as expected. Low on contrast and high on grays. Then I tried pushing and I'm still pushing today. Pushing HP5 will boost the contrast which is not unexpected. The grain also increases but in a pleasing way. For example pushing T-Max 400 film results in ugly and weird grain. In my experience at least. HP5 grain particles gain in size but persist the nice shape and layout. Whilst the contrast increases, you don't lose too much in highlights and shadows. There is some loss which is inevitable but I have never found it to be a problem. Only a big benefit for a person that likes some contrast and not super high dynamic range.

My second love boost for HP5+ came when I tried it in 120 format. Obviously in a pushed state. Many of the characteristics from 135 format remain but you lose the grain and gain in the dynamic range and detail. I see no issue in pushing HP5+ to EI3200 when shooting medium format. The grain won't be a problem. Even if you dislike grain. You also seem to get an increase in "tones". Smooth transitions between various light levels and very reasonable latitude. Sure, some shadows can get crushed and some highlights can blow but it's not common and is never a real issue for me. I only see it as a bonus.

Having ISO3200 film for medium format is very liberating for a person that doesn't like tripods. I am that person. I can carry around 10 cameras but even 1 tripod is way too much. I will rant about tripods some other day but having ISO 3200 in my camera means that I can use f11 without needing to live on the surface of the sun.

My go-to developer is Kodak HC-110 and it's also the developer I use for pushing HP5+. I usually go for dilution A and cook the film for Ilford recommended 5 and a half minutes. This will bring the ISO to 1600. When contrast is of utmost importance and light is lacking, cooking for 9 and a half minutes will give you ISO 3200. Using dilution A will use up more developer but it's not too bad in my experience. You can also use dilution B for 11 minutes which will yield ISO 1600 but I haven't tried it myself. I'm sure you can find various other recipes for pushing HP5+ but this is what works for me.

Over time I have also grown to appreciate HP5+ at box speed. It's nowhere near as nice as the pushed version but can deliver good results. It does require more time in the post-processing stage though. It's not my favourite black and white film at ISO 400 ( Kodak Tri-X will be closer to that ) but it's good.

Pulling is also not something I do with HP5+. You lose even more contrast that way. There are quite a few other great black and white film gems that I prefer. That being said, if you forced me to only shoot one film for the rest of my life it would be HP5+. The things you can do with it are vast. It may not be exactly what I love at all speeds but you can always move things along in the post.

One important thing to mention is that I scan my film. I don't print in the darkroom. If you print more than you scan then you might find super-pushed HP5+ more difficult to print as the negative has contrast. You can tame it in the darkroom but it's typically easier to print from flatter negatives.

I will leave you with some of the photos that I've taken with a pushed HP5+. If you've tried HP5+ at box speed and didn't like it, I urge you to try again and push it. If you like HP5+ at box speed, then try pushing it anyway. Pushing is fun. You like pushing buttons and food in your mouth don't you? Pushing HP5+ is even more fun.

Photo of my family on the ground.
Camera
Leica M3
Lens
Leica Summicron-M Pre-ASPH 90mm f2
Film
Ilford HP5+ EI1600
Development
Ilford LC29; Dilution 1:9; 7:30
Scanner
Reflecta ProScan 10T
Phone

Pushed HP5 has the right level of whites and right level of blacks. The increased ISO also helps when shooting indoors.

Whilst I usually develop with HC-110, it doesn't mean that I haven't tried pushing HP5 with different developers.

Photo of my son.
Camera
Leica M3
Lens
Leica Summicron-M Pre-ASPH 90mm f2
Film
Ilford HP5+ EI1600
Development
Ilford LC29; Dilution 1:9; 7:30
Scanner
Reflecta ProScan 10T
Eyes

While the increased grain size removes some of the sharpness, the final results are plenty sharp enough and has the nice film character.

Photo of my wife.
Camera
Rolleicord V
Lens
Schneider-Kreuznach Xenar 75mm f3.5
Film
Ilford HP5+ EI800
Development
Kodak HC-110; Dilution B; 7:30min
Scanner
Epson V600
The Wife

At EI800 the results are more gray but you can still reach the deeper blacks in the shadows.

Grain is no issue on medium format.

Closeup photo of a tree.
Camera
Mamiya C220
Lens
Mamiya Super-Sekor 180mm f4.5
Film
Ilford HP5+ EI3200
Development
Kodak HC-110; Dilution A; 9:30min
Scanner
Epson V600
Branches

The latitude when pushed to 3200 is still very impressive. The shadows don't have the same amount of detail but do they need to?

Photo of a digger.
Camera
Mamiya C220
Lens
Mamiya Super-Sekor 180mm f4.5
Film
Ilford HP5+ EI3200
Development
Kodak HC-110; Dilution A; 9:30min
Scanner
Epson V600
Digger

If you're not careful then pure whites can start to blow out. It can work in some photos though.

Photo of a downhill racer.
Camera
Leica M3
Lens
Voigtländer Super Wide Heliar 15mm f4.5
Film
Ilford HP5+ EI3200
Development
Ilford LC29; Dilution 1:9; 11min
Scanner
Reflecta ProScan 10T
Down The Hill

It's very helpful to have the ability to push to ISO 3200 when a need to capture high speed moving subjects in the dark arrises.

On 135 format it does start to fall apart a bit and you won't be able to capture both the shadows and highlights.

Photo of a downhill racer.
Camera
Leica M3
Lens
Voigtländer Super Wide Heliar 15mm f4.5
Film
Ilford HP5+ EI3200
Development
Ilford LC29; Dilution 1:9; 11min
Scanner
Reflecta ProScan 10T
Steep

Highlights in this photo are gone and it was cloudy outside.

Photo of a basketball hoop and church.
Camera
Mamiya C220
Lens
Mamiya Super-Sekor 180mm f4.5
Film
Ilford HP5+ EI3200
Development
Kodak HC-110; Dilution A; 9:30min
Scanner
Epson V600
Hoops And Churches

In 120 format HP5 doesn't start to fall apart at ISO 3200. Instead it gains powers of awesome looks.

Photo of a downhill rider jumping.
Camera
Leica M3
Lens
Voigtländer Super Wide Heliar 15mm f4.5
Film
Ilford HP5+ EI3200
Development
Ilford LC29; Dilution 1:9; 11min
Scanner
Reflecta ProScan 10T
Over The Berm

Although the highlights fall apart it can give you dreamy vibes.

Photo of a wintery road.
Camera
Voigtländer Bessa I
Lens
Voigtländer Color-Skopar 105mm f3.5
Film
Ilford HP5+ EI3200
Development
Kodak HC-110; Dilution A; 9:30min
Scanner
Epson V600
Turning Right

You will be hard-pressed to find grain when pushing a 6x9 image size to 3200. At least at my scanner resolution.

Photo of my wife.
Camera
Mamiya C220
Lens
Mamiya Super-Sekor 180mm f4.5
Film
Ilford HP5+ EI3200
Development
Kodak HC-110; Dilution A; 9:30min
Scanner
Epson V600
Watching TV

Having an ability to shoot long and not the brightest medium format lenses indoors is great.

Photo of my family.
Camera
Voigtländer Bessa I
Lens
Voigtländer Color-Skopar 105mm f3.5
Film
Ilford HP5+ EI800
Development
Kodak HC-110; Dilution B; 7:30min
Scanner
Epson V600
Hello

On 645 you can start to see some grain but it's small.

Photo of ice blobs in the sea.
Camera
Voigtländer Bessa I
Lens
Voigtländer Color-Skopar 105mm f3.5
Film
Ilford HP5+ EI3200
Development
Kodak HC-110; Dilution A; 9:30min
Scanner
Epson V600
Ice Blobs

I feel like I should stop saying that large negative means pushing brings no downsides.

Photo of a rusty car.
Camera
Voigtländer Bessa I
Lens
Voigtländer Color-Skopar 105mm f3.5
Film
Ilford HP5+ EI1600
Development
Kodak HC-110; Dilution A; 5:30min
Scanner
Epson V600
Rusty

A lot of shadow detail with highlights not being blown. In 645 mode.

Photo of a tree-tunnel.
Camera
Canon P
Lens
Leitz Elmar 90mm f4
Film
Ilford HP5+ EI400
Development
Ilford LC29; Dilution 1:9; 3:30min
Scanner
Reflecta ProScan 10T
Tree Tunnel

Lastly a plain, old, box speed photo. It's a lot more tame.

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